Island of Lost Souls (1932, D. Erle C. Kenton). This is the first film version of the H.G. Wells story about a semi-mad scientist holed up on a remote island conducting experiments that turn animals into half-human hybrids. (It was remade as The Island of Dr. Moreau twice in the later part of the 20th century. Alas I've not seen either of these, but neither are considered classics.) However, this earlier film is a fascinating early 'talkie' offering in the horror genre. Richard Arlen, Leila Hyams star as the protagonists, and Bela Lugosi shows up in a small unrecognizable part after coming off his box office success as Dracula, but the major star, and the main reason one should watch this film, is Charles Laughton. A terrific actor (and one-time director), he is deliciously diabolical as Dr. Moreau, but retains a human edge. To my taste he doesn't overplay it. His dark hair and goatee really suit him. I will say this one is decidedly not suitable for those sensitive to racist or sexist elements in their movie choices. There is a detailed and fun review of this one at Pre-code.com here (although Danny does not share my enthusiasm for Laughton's performance). The DVD is on the Criterion Collection label. The trailer is here:
The first appearance of 'the man' portrayed by director Herk Harvey himself. |
The main character is Mary Henry (Candace Hilligoss), who survives a car that drove off a bridge, and decides to start a new life as a church organist in Utah. Mysterious live and undead people pop into her life and make it very uncomfortable, for her and for us. For the moment, you can watch the entire film on YouTube:
The Vanishing (aka Spoorloos), (1988, D. George Sluizer). This is the first, Dutch/French, version of the story that George Sluizer directed, based on the novel The Golden Egg by Tim Krabbe. It was remade in an American version in 1993 with Kiefer Sutherland, Jeff Bridges, and Sandra Bullock. I've not seen that one. But I've read enough about it that I doubt I will anytime soon. The original version is considered to be superior, and yes, it's fantastic. A young Dutch couple, Rex and Saskia, (Gene Bervoets, Johanna ter Steege), are on vacation in France, driving through the countryside, when Saskia disappears at a gas station in broad daylight. Her boyfriend, Rex, embarks on a three-year journey to find her, or at least find out what happened, when he encounters the perpetrator, Raymond (Bernard-Pierre Donnadieu), a seemingly normal family man with an extraordinarily macabre side. This film plays with us almost from the beginning, with the jumps back and forth in time, and the fact that we know who the villain is, we just don't know Saskia's exact fate. Rex and Raymond are on a collision course through most of the film's running time until the unsettling ending. The thrills are mostly psychological, and its symbolism, both visually and in the script, make it required repeat viewing. Be warned, though, if you are sensitive to disturbing depictions of the dark side of humanity, you may want to skip it.
Saskia and Rex, happily unaware what's to come. |
Raymond, with Saskia in his sights. |
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