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Thursday, May 4, 2017

May 2017 Greater Boston Classic Film Screenings -- My Picks

May started joyfully and uproariously with The Freshman at the Coolidge, with live orchestral accompaniment from the Berklee Silent Film Orchestra.  Brilliant is not too strong a word for the music; the entire experience epitomized the best of the art of film.  I had a grin on my face the entire evening.  The BSFO has been adding performances to their calendar, including the San Francisco Silent Film Festival in June and in NYC later this month.

My picks for classic film fans in the Boston area are as follows:

Zasu Pitts and Gibson Gowland in Greed
May 14, 2 PM at the Somerville Theatre, 'Silents, Please'  series, is Greed (1924, d. Erich von Stroheim).  From the name of this film, and the picture to the right, you know it's not going to be a laugh-a-minute.  It's considered a (silent) masterpiece from the German maverick director, whose vision was such that the original cut of the film was a staggering, unsustainable eight hours long; the film was eventually debuted by MGM at about 2.5 hours.  Much of the original footage was lost.  Even at 2.5 hours, modern cinephiles rave about the film.  Roger Ebert has named it one of his 'Great Movies', and in his piece illustrates the twists and turns of its fascinating history.  I read and enjoyed the source novel, McTeague by Frank Norris, about a quack dentist in turn of the century San Francisco who is runs into significant trouble when his wife Trina come in possession of a $5,000 winning lottery ticket.  This silent film stars Zasu Pitts as Trina and Gibson Gowland as McTeague.  Von Stroheim shares screenwriting credits with June Mathis, a writer and early film executive who 'discovered' Rudolph Valentino.

Accompanying this screening will be Jeff Rapsis on the piano.  I've not seen this and can't wait.

The Brattle has an impressive May lineup of David Lynch films, as well as some classic comedies, with some Welles and Hitchcock thrown in.  If you're in the area at all this month, check out their calendar.  I'm particularly excited to see the classic comedy Playtime, by influential comedian Jacques Tati on Sunday, May 28th. I've not seen it before, but I enjoyed Mon Oncle last summer when it was on TCM, which also featured Tati's slightly befuddled 'Monsieur Hulot' character.  I need to see more of Tati.
Playtime (1967) from

I may camp out in Harvard Square for the weekend, as continuing the French film theme, also from 1967, is Le Samourai, d. Jean-Pierre Melville, which will screen twice in 35mm on Memorial Day, Monday, May 29th. In this one, hearthrob actor Alain Delon portrays a hit man caught in the web of his own weaving.  Another one of Ebert's 'Great Movies', it will be fun to see this, and compare it with Alan Ladd's hitman in This Gun For Hire from 1942, which, not entirely coincidentally, is screening that same day at the Brattle.

The Brattle is also screening the documentary Harold & Lillian -- A Hollywood Love Story (2015, d. Daniel Raim), multiple times in early May.  I plan to see it this Saturday, May 6. My friend Raquel of highly recommends this exploration of the story of Harold & Lillian Michelson, who contributed their talents behind the camera -- he a storyboard artist, she a film researcher, during Hollywood's golden age.  The documentary has gotten rave reviews, and currently owns a 8.7 user rating on IMDb.   Monica Castillo of the New York Times said "Like flipping through misplaced leaves in a photo book, the documentary maintains a free-flowing tone as it uncovers the work that went into creating some of the indelible scenes in Hollywood history."  Watch the trailer below:

À bientôt!


  1. Ah, you read the source novel McTeague by Frank Norris and enjoyed it, did you? So did von Stroheim. His slavish devotion to filming each page, each word of the book led to the epic length of the film and his epic problems.

    I can't argue with an artist and his vision, but many excellent novels have been adapted to the screen with an awareness of the differences between mediums. Ah, if Herr von Stroheim were here now in the age of miniseries and platform options. What might have become of his Greed? What audiences have of Greed is impressive on every level. I envy you seeing it on the big screen.

    Playtime will live with you and you won't be expecting it.

    1. Good to know that the experience of watching Greed will not disappoint. It's hard to imagine the novel becoming a mini-series, but in Von Stroheim's hands it would no doubt be fascinating, perhaps we'd be 'binge-watching' haha. This one has intrigued me for some time, dating back to when I first heard the novel was being made into an opera (I was into opera before classic film!). Can't wait to see it!

      Same for Playtime! Thanks again for stopping by :-)