Fifty Years of Film in 50 Weeks, #42: The Days of Wine and Roses, 1962

Days of Wine and Roses, 1962

Director: Blake Edwards
Writers: J. P. Miller
Cinematographer: Philip H. Lathrop
Music: Henry Mancini
Producer: Martin Manulis for Jalem Productions, distributed by Warner Bros.
Starring: Jack Lemmon, Lee Remick, Charles Bickford, Jack Klugman

Why I chose it
After last week's veering into farce, I decided to once again dip into hard-hitting drama. This film had been on my radar for years as it's been on TCM a number of times, and I was curious about how difficult it was going to be to watch. As difficult as Who's Afraid of Virginia Woolf? I decided to find out.

'No-spoiler' plot overview 
Joe Clay is a successful and somewhat smarmy public relations worker at a large ad firm in San Francisco. Among his important job duties is procuring women for visiting high-ranking clients and tossing back copious amounts of liquor. One evening he meets Kirsten, the teetotaling secretary in his firm and mistakenly assumes she is expected to be part of the "entertainment". Angry, she rejects his later advances, but then gives in to his courting and finds drinking may be fun after all. They get married, have a baby, but in the next few years, the drinking dominates and destroys, first Joe's career, then the marriage, and finally their mental and physical health. Joe finds AA, and Kirsten returns to her father's house, but they struggle through sobriety and relapse.

Production Background
Director Blake Edwards was a director on his way up, mostly working on TV series until the early 1960s. His first big hit was the ever-popular Breakfast at Tiffany's (1961), and after Days of Wine and Roses, he mostly helmed comedies like the blockbuster Pink Panther series. When he had the opportunity to direct this extremely serious feature film, which was originally presented in 1958 as a play on TV (teleplay) by J.P. Miller, he got megastar Lemmon to help boost the picture. (In the TV version, Cliff Robertson played Joe and Piper Laurie played Kirsten. Charles Bickford portrayed Kirsten's father in both the TV and theatrical film.)

According to the book Film: A World History by Borden, Duijsens, Gilbert, and Smith, Edwards and his two leads actually drank quite a lot during production. It's not clear if their drinking added verisimilitude to some of the most intense scenes! Both apparently also attended AA meetings and visited jails and hospitals that housed and treated drunks.

The film accrued 5 Oscar nominations, including Best Actor for Lemmon and Best Actress for Remick, but only took home Best Song for Johnny Mercer and Henry Mancini.

Some other notable film-related events in 1962 (from Filmsite.org):

• The 7th and final "Road to..." film (starring Bing Crosby, Bob Hope, and Dorothy Lamour) was released -- The Road to Hong Kong (1962). It was the last of seven escapist 'Road pictures' (beginning in 1940 with The Road to Singapore). 
• 36-year-old sex symbol Marilyn Monroe was discovered dead (August 5) in the Los Angeles area in her Mexican style bungalow of an apparent drug overdose, a death the coroner ruled as "a probable suicide." She was in the midst of filming with director George Cukor in Something's Got To Give (1962). 
• The action/spy film Dr. No, which launched in the UK in 1962, inaugurated the successful, long-running, and highly profitable James Bond series of action films. Based upon Ian Fleming's works, this film cast as the series' first Agent 007, unknown actor Sean Connery. Ursula Andress also starred as Honey Ryder, the first iconic Bond girl. 
• Patty Duke won the Best Supporting Actress Oscar for her performance as young Helen Keller in The Miracle Worker (1962). She was the first minor (under age 18) to win a competitive Oscar.

My Random Observations
*Special thanks to my friend Vânia for her gif image files, which I've featured throughout this post. Check out her blog at aintthatakick.tumblr.com.

Camerawork can be striking.

• Considering Joe's initial happy-go-lucky corporate persona, who is a willing conspirator  to sexist debauchery, the film rather struck me The Apartment (1960) meets The Lost Weekend (1945). The latter was a film from the 1940s showing one man's weekend battle with a serious alcohol problem, considered quite realistic and forward-thinking for the era. In some ways, the present film may be more painful because of the extended family devastation not really the focus of the earlier film.

The Apartment, anyone?

Joe in the throes of a harrowing withdrawal.

• The film is superb in letting us feel that all-consuming power of the bottle. Through the excellent performances, script, and cinematography we feel we are in the heads of our protagonists.

The lure of alcohol: one can have fun when drinking.

Kirsten realizes that the bottle makes for poor
company, when all is said and done.

• This is my third film in this blog series featuring character actor (and one-time leading man) Charles Bickford. Last time we saw him was in the noir Fallen Angel (1945), and before that in Anna Christie (1930) opposite Greta Garbo. He's a good actor, and versatile, but it seems all his characters have one trait in common: they are strong and rugged. As Kirsten's father, he initially seems stern and to be feared, but we learn that he is an upstanding man who tries to help as his daughter's life spins out of control, and it's appropriate that the couple find him attractive to lean on.
• So the verdict on if I find the film hard to watch: yes, but, not as difficult as I was expecting. There surely are painful scenes: when Joe is suffering withdrawal, when the couple's daughter suffers neglect or abuse, or when they confront how much love is able to overcome addition. The choice of black and white at once sets a somber tone and helps us keep slightly distant from the horror. Considering how these issues may be filmed in the modern era (Leaving Las Vegas comes to mind), I couldn't help but feel a bit spared from the worst.
  

  

  This can't be the life together that Joe and Kirsten
  had envisioned.

Where to Watch
The film can be rented to stream on a variety of the most popular streaming services, and can be purchased on DVD and Blu-Ray.

Further Reading
An excellent article on TCM.com provides interesting production tidbits, while this blogger posts a detailed comparison between the TV movie and the film.

Classic Movies on the big screen in Greater Boston -- Jan 2017 edition

The 'musical' must be the theme for classic movies on the big screen to open 2017 in Greater Boston.

I don't normally feature the TCM/Fathom Events screenings of classic films on this blog, because they are a US-wide initiative, but this January 15th & 18th the screening of Singin' in the Rain deserves your consideration, first because it's a fabulous and fun movie, and secondly, it's Debbie Reynolds' break-out role.  May she rest in peace.  For those who haven't seen it, it's a musical from 1952 that tells the story of the development of the movies from silent to sound through the eyes of fictional cinema star Don Lockwood (Gene Kelly).  There are great musical numbers and joy in nearly every scene -- and this coming from one who is not a big fan of Hollywood musicals.  It inspired, among others, the 2011 Oscar winner The Artist.

Use this link to pre-order tickets.  In the Greater Boston area the following theaters are participating:
Fenway 13 (Boston); Assembly 12 (Somerville); Revere Showcase Cinemas (Revere); Burlington 10 (Burlington); Lowell Showcase Cinemas (Lowell); Legacy Place (Dedham); Braintree 10 (Braintree); Patriot Place (Foxboro); Randolph Showcase (Randolph).

Harvard Film Archive

Speaking of musicals. at the HFA the 'Busby Berkeley Babylon' continues through much of January, perhaps an early sign that 2017 might be a good year after all!  There are too many to highlight all here, so definitely check out the link above for the complete listing.  For those new to Busby Berkeley, you must see the classics: 

Fri Jan 6th 9 PM: 42nd Street (1933) directed by Lloyd Bacon, an effort to "marry the dark, urban gangster picture with the spectacular, exhilarating musical", as described by Brittany Gravely of the HFA.  Screened using a 35 mm print.

Mon Jan 23rd, 7 PM:  For Me and My Gal (1942), with Gene Kelly in his film debut, and Judy Garland, when she was particularly vibrant.  This one was directed by Berkeley himself.

Garland & Kelly, For Me and My Gal

The lesser known films are also worth checking out as there are fewer opportunities to see them.  I'm particularly interested in:

Sat Jan 21, 7 PM: Whoopee (1930), which is the first ever film choreographed by Berkeley, featuring musical theater star Eddie Cantor.   

Sun Jan 22, 7 PM:  Gold Diggers of 1937 (1936), also directed by Lloyd Bacon and starring Berkeley regulars Dick Powell, Joan Blondell, and Glenda Farrell.

Coolidge Corner Theatre

Monday, Jan 2 7:00 PM -- The Umbrellas of Cherbourg screens to open the 'Big Screen Classics' series at the Coolidge.  This French film from 1964 launched the career of Catherine Deneuve.  It's a drama/romance/musical by Jacques Demy in which all the dialogue is sung, like an opera (score by Michel Legrand).  Roger Ebert called it "a surprisingly effective film, touching and knowing, and, like Deneuve, ageless."  I've not seen it, but considering Monday is a holiday, I may go to my neighborhood theater and check it out, if I'm not at the Brattle for the Marx Bros. marathon (see below)!

The Brattle Theatre

I mentioned this last month, but starting tomorrow Jan 1 and going through Tuesday, is the Brattle's 'Marx Brothers' Marathon.'  For those inclined to binge-watching this would be the ultimate experience, as all are early-career pre-code Paramount productions, digital presentations of restored versions of these films.  The lineup tomorrow, starting at 12 noon, and going through util about 8:30 PM, are:  The Cocoanuts, Animal Crackers, Monkey Business, Horse Feathers, and Duck Soup.  Then on Monday, Jan 2, a double feature of Animal Crackers and Duck Soup, then Tuesday it's a double feature of Horse Feathers and Monkey Business.  My favorite of these is Horse Feathers -- in which the brothers take over a college campus and wreak havoc, of course.  

Groucho Marx somehow is appointed the President of Huxley College

Sunday Jan 29: Then for something completely different, as part of the 'Cinema of the Occult' Repertory Series, it's Bell, Book and Candle (1958, Dir. Richard Quine).  I've not seen it, but with the big names James Stewart, Kim Novak, Jack Lemmon, Ernie Kovacs, and Elsa Lanchester, it should entertain, if nothing else.  

An advantage for the Boston-area cinephile is the proximity of local experts who can curate and illuminate these screenings -- for this particular series, each film will be introduced by scholars/writers Peter Bebergal, Pam Grossman, & Janaka Stucky.  

Tues Jan 31 Also in the series is Night of the Demon aka Curse of the Demon (1957), directed by Jacques Tourneur, perhaps best known for his fabulous noir Out of the Past, and starring Dana Andrews and Peggy Cummins.  I haven't seen this but looking at the film poster, with the statement ''most terrifying story the screen has ever told", it seems one must not miss it!  It's received an average rating of 7.6 on IMDb, which is pretty good for IMDb standards.  I need to see more films by Dana Andrews so this might be a good start for the year.